Continuous listening of Paisaje Dorsal sound archive + Presentation of publication

Wednesday, 30 November, 2016 - 10:00

Listening 10:00 – 21:18
Presentation – 19:00


















Image obtained with SEM technology: vinyl and needle. 

Session sixty-six, Illegal_Cinema

Tuesday, 29 November, 2016 - 19:00






















Una tirada de dados… A three-way, two-part conversation. Israel Galván with Pedro G. Romero and Filiep Tacq

Thursday, 17 November, 2016 - 19:00

Louvain, Belgium


















Photo: Hugo Gumiel 

Sixth birthday soirée, Bulegoa z/b

Saturday, 5 November, 2016 - 19:00

Once again, Bulegoa z/b will be celebrating its birthday in early November. You’re invited to come and celebrate our sixth anniversary with us at a party with pintxos, drinks and performances.

19:00. Opening

19:30. Elba MartínezEsperando a Edgar 2007-2016

20:00. Eduardo Gaviña / Yogurinha Borova

21:00. Katza

Lesson Fourteen: Portable endings. Bridget Currie

Friday, 21 October, 2016 - 10:00



















Session sixty-five, Illegal_Cinema

Tuesday, 18 October, 2016 - 19:00

Gold Diggers of 1933 (Busby Berkeley, 1933) 1h 37min. Dir: Mervyn LeRoy.

“Gold diggers” were fortune-hunting chorus girls on Broadway. The term also became the title of a saga of Broadway musical shows in 1919 which were turned into films, first silent, then with soundtracks.

The Memory of Plants. Michael Marder and José Ramón Ais

Thursday, 6 October, 2016 - 19:00

Agrostis stolonifera. José Ramón Ais. 2014

Agrostis stolonifera. José Ramón Ais. 2014

“The Papers of the Exhibition (1977-2017)”. International symposium on curating

Wednesday, 28 September, 2016 - 18:00













Esperanza Collado: “Now that Mallarmé is dead, let's roll the dice on the idea of cinema”. Reading session eleven, “The Book to Come.”

Thursday, 14 July, 2016 - 16:00

This session will consider possible relationships between film, books and text. It will be vertebrated around Stéphane Mallarmé's poem Un Coup de dés jamais n’abolirá le hazard, which we will take to be foundational in the contemporary idea of space, and which was transformed by Marcel Broodthaers into a “specific object.” We will explore some of the keys of the Belgian artist's filmic model, and how they set up dialogues with the work of other artists, including his own.